Music

Identifieur interne : 000377 ( Main/Exploration ); précédent : 000376; suivant : 000378

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Music

Auteurs : Warwick Edwards

Source :

• Early Music [ 0306-1078 ] ; 1993.

RBID : ISTEX:699AEAB85D0E6E9FBCADAEA3C8718103B2480D60

English descriptors

• Entity :
  • pers : Alfonso Fer, Andrew Ashbee, Bruce, Gilbert Reaney, Orlando Gibbons, William Byrd.
  • place : Warwick.
• Teeft :
  • Alfonso, Alfonso ferrabosco, Alto part, Alto part supply, Andrew ashbee, Anonymous compiler diverse publication, Apparent precision, Association lishers, Basic material, Bellingham stainer bell, Best work, British part, Bruce sequence, Bryan gillingham, Cantus firmus, Certain unity, Chartres fragment, Choppy tonal sea, Chord virginal spinet catalogue available, Clear sectional structure, Complete repertory, Compulsive reviser, Consort music, Contemporary coprario, Contemporary source, Contrapuntal invention, Contrapuntal technique, Court circle, Courtly environment, Cunctipotens genitor, Curious twofold, Current vogue, Delicate decision, Different arrangement, Different size, Different type, Discernible reason, Dominant feature, Earliest piece, Early music, Early music telephone, Eccentric work, Edition convincing, Editor work, Editorial note, Effective rhythmicized edition, Emigre italian, English tradition, Extreme sharp key, Extreme tonal centre, Fantasia, Feast offools programme, Final item, First instalment, Florid piece, Fluent technique, Further volume, Gain momentum, Gamba society, General principle, Gilbert reaney, Greater extent, Greater significance, Happy uniform editorial control, Harmonic uncertainty, High street mistley essex, Historical principal, Homophonic texture, Illegitimate birth, Illusory rhythmic precision, Important contribution, Incidental adornment, Inherent stylistic weakness, Initial function, Innate contrapuntal dexterity, Inscrutable heap, Instruvolume project, Intelligent interest, Introduction proper, Introductory chapter, Italian madrigal, Italianate style, Karp stress, Large warwick edward number, Last composition, Late work, Lengthy excursion, Lesser strictness, Limited interest, Lyraviol print, Manuscript source, Many other girted composer, Many player, Mature hand, Melismatic work, Mental colouring, Mentor byrd, Modern notation, Modern note value, More chromatic passage, More disconcerting, More florid, More information, Motivic development, Motivic structure, Much more, Musica britannica, Musical structure, Nativity series, Nice touch, Opening section, Opening semiquaver, Original chronology, Orlando gibbon, Other fantasia, Overall compass, Particular client, Particular strength, Principal discussion, Prolific composer, Proper performance, Radio octave, Rare occasion, Remark several time, Remarkable extent, Resourceful master, Rhythmic eventuality, Same name, Same order, Same problem, Same selection, Scholarly debt, Seamless sweep, Separate section, Single imitation, Single melody, Society collection, Stereotyped formal structure, Structural implication, Study score, Stylistic context, Subsequent ferrabosco volume, Substantial evidence, Such apparent precision, Sufficient idea, Textual commentary, Time sophisticated approach, Tonal centre, Transalpine ancestry, Treble part, Tucker maker, Unified system, Viderunt hemanuel, Way more consistent, Wayward tonal structure, Weak point, Wider overall, Work firstly, Younger alfonso, Younger father.

Url:

• https://api.istex.fr/ark:/67375/HXZ-W38FJQZH-X/fulltext.pdf

DOI: 10.1093/earlyj/XXI.4.641

Affiliations:

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Links toward previous steps (curation, corpus...)

• to stream Main, to step Corpus: 000421
• to stream Main, to step Curation: 000419

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